Call for expression of interest – Contemporary Greek Film Cultures 4

Dear all,
The third Contemporary Greek Film Cultures international conference: Strategies of the Documentary, took place between 16-19 May 2018, hosted by Maria Oikonomou and Lilia Diamantopoulou at the University of Vienna. Many thanks to the organisers for a successful and truly inspiring event, which has helped expand our understanding of what Greek Film Cultures – plural – could mean. And our thanks to all the contributors for really thought-provoking papers.

We now call for expressions of interest in hosting/organising the 4th Contemporary Greek Film Cultures conference in 2020/21 in your institution.

Contemporary Greek Film Cultures has established itself as a regular feature in the Greek Film Studies calendar internationally, thanks to your support. The aim is to bring together the international community of Greek film scholars to share and discuss new research in the field every 2-3 years, at a different location each time. In addition, every conference is followed by at least one publication of selected papers, expanding and enriching the bibliographical corpus of Greek Film Studies. Most of all, this is an initiative that seeks to enhance collaborations and networking between scholars with interest in Greek cinema, as well as to become a bridge between industry and academia (in all conferences so far directors and actors have participated with keynote addresses, Q&As, screenings of their work).
Please contact the curators of the conference Tonia Kazakopoulou and Mikela Fotiou using the following email address to submit your interest in hosting the next meeting of Greek film scholars. In your email, please propose a theme and indicate how you would seek to fund the organisation of the conference, whether your institution would agree/has already agreed to support such an enterprise, and a rough timeline for the event. We can provide logistic support, and any other help you may need.
Please write to: as soon as possible, and no later than the end of October 2018, using the subject line ‘CGFC 2020’. Do not hesitate to contact us any time before that if you have further queries.
Looking forward to hearing from you.


Tonia Kazakopoulou and Mikela Fotiou

Contemporary Greek Film Cultures Conference 2015 * Call for Papers

Contemporary Greek Film Cultures Conference 2015
An International Interdisciplinary Conference hosted by the Hellenic Studies Program at the University of Washington, Seattle, May 8-9, 2015
Call for Papers

The financial crisis since 2009 has devastated Greece, led to unprecedented political fragmentation and social turmoil, and threatened the cohesion of the European Union. It has also coincided with a number of international prize-winning films by a generation of young Greek filmmakers who have responded to the effects of the crisis on the Greek film industry in resourceful, creative, and compelling ways. Capturing the tumult of the current mayhem, these films offer surprising, innovative and subtle commentaries on the complex social, political and economic problems Greece is facing. They also reassert the centrality of film at a time when the Greek film industry is itself undergoing profound changes and serious challenges on account of the crisis.

In order to acknowledge and assess the importance of contemporary Greek Cinema for Greek society and culture as well as in relation to European and global frames of cultural reference, the Hellenic Studies Program at the University of Washington is hosting the International Conference, Contemporary Greek Film Cultures 2015 on Friday, May 8 & Saturday, May 9, 2015. Held for the first time by a North American Hellenic Studies Program, this two-day conference is a continuation of the International Conference Contemporary Greek Film Cultures 2013 that took place at the Hellenic Centre in London in July 5-6, 2013, and was co-organized by researchers from the Universities of Glasgow and Reading. Set in Seattle, the 2015 conference venue is located far from Greece and in a city that has been marked by protests against some of the very same forces that have so negatively impacted Greece. Therefore, the conference organizers strongly encourage reflection upon the complexities of the geographical and cultural expansiveness of Greek film. What is Greek film?: Films made by Greeks? Greeks of the diaspora? Foreigners in Greece or elsewhere making films about Greece? How are these films being conceived, financed, made, viewed, and understood at this cultural moment? What do we make of the fact that European or international contexts are as much an integral part of production, distribution, and reception in Greek cinema as they are of what has been mischaracterized, by some, until recently as a “Greek” crisis.

Beyond this specific focus, the 2015 conference also aims to bring together established scholars, early career faculty and young researchers in order to expand and build upon the full range of areas discussed in past and recent scholarship on Greek Film Studies. In addressing the topics listed below, the conference will:
• examine ways in which new research methodologies and theoretical perspectives can further our understanding of contemporary Greek
• propose innovative research frameworks as regards the production, distribution and audiences of contemporary Greek Cinema;
• reflect upon the recent positioning of the Greek film industry in a novel network of relationships linking cultural practices and
economic realities, domestic and international agendas.

Alongside distinguished keynote addresses to be confirmed, we invite proposals for papers within and across a variety of disciplines and fields. Suggested topics include but are not limited to:

(Greek) Filmmakers’ Response to the Greek Financial Crisis
Greek Films and Political Activism
Greek Films and Violence
Representations of Youth Cultures in Contemporary Greek Films
Films and History
Documentaries on the Historical Experiences of the Greeks
Films on the Jews of Greece
Gender and Contemporary Greek Cinema
Evolution of Greek Film Genres
Relationship between Contemporary Greek Film and Television
Greek Films in European and International Contexts
Greek Films in the Art-World Context
Greek Film Studies
Cypriot Cinemas
Film Practice-as-Research
Greek Film Festival Studies in Greece, in the Diaspora, and Globally
Greek Film Reception and Audience Studies
Greek Film, Displacement and Migration
Films between Art and Popular Culture
Production and Distribution Cultures of Contemporary Greek Cinema

Call for papers deadline: OCTOBER 30, 2014

Abstracts of a 300-word length for a 20-minute paper that engage with these topics, along with a 50-word biographical note, should be submitted electronically to
Please make sure to send the proposal as an attachment and include “2015 Conference Proposal” in the topic line of your email.

All submissions will be judged by blind review on the basis of their individual merit. Those who submit an abstract will be notified by December 15th as regards the results of their submission.

Conference participants are expected to cover their own travel expenses. There will be a pre-registration fee of $90 (faculty; general public) and $60 (students) for the conference.

The organizers are looking into the possibility of a publication that will feature a selection of papers from the conference.

Program Committee
Vangelis Calotychos (Chair)
Mikela Fotiou
Dan Georgakas
Frank Hess
Tonia Kazakopoulou
Kostis Kornetis
Toby Lee
Lydia Papadimitriou
Philip Phillis

Local Arrangements Committee
The conference will be hosted by the Hellenic Studies Program Local Arrangements Committee consisting of Taso Lagos (Chair) and
Nektaria Klapaki, as well as staff of the Center for West European Studies and the Jackson School of International Studies.